From the Ilkley Gazette 19 May 2005

Ilkley and Otley Choral Societies showcase young talent (Saturday 14 May 2005)

Brenda D Hawer reviews

Otley and Ilkley Choral Societies’ “Samson” at Otley Parish Church.

All the qualities of great drama are contained in the story of Samson, with its elements of war, love, betrayal, remorse and triumph. When combined with Handel’s inspired music – the whole score composed in an incredible five weeks – an audience can anticipate a rewarding evening and that is exactly what the Otley and Ilkley Choral Societies gave us in OtleyParishChurch on Saturday.

The opening chorus set the scene with a celebratory feast in honour of the pagan god Dagon. The singers immediately captured the atmosphere of joyful exuberance with a confident, well-balanced sound, yet were equally impressive in the more reflective movements. Any hint of rhythmic instability in more complex contrapuntal passages was never more than momentary, choral renew was notable for its clarity, quality and lively attack while sopranos always sounded secure in the higher register.

The performance was greatly enhanced by the expertise of the Yorkshire Chamber Orchestra, which together with Patricia Jordan (continuo) provided a most sensitive accompaniment throughout under the direction of the evening’s conductor Alan Horsey.

As a result, balance, whether it be with chorus or soloist, was always finely tuned.

Each of the soloists, all of whom were studying at the Royal Northern College of Music, gave performances of a standard that belied their student status in every respect.

The oratorio contains a number of arias well-known in the concert hall in their own right and not one of the evening’s performances disappointed. The portrayals were meticulously prepared and a joy to listen to.

Outstanding was Christopher Turner singing the name role. He possesses a richly expressive voice and an articulation that would provide a model for many singers twice his age.

“Total eclipse” was particularly memorable, while soprano Rachael Russell’s highlight, as one might expect, proved to be “Let the bright seraphim”, for which her true clear voice was ideally suited.

Contralto Dominica Matthews was able to bring a dignified stature to her role with a voice of expressive maturity while Mark Bell and Michael Parle also made impressive contributions.

All those involved are to be congratulated on an evening that must be considered a great success in every respect.